6.0


Plot
Arendt's reporting on the 1961 trial of ex-Nazi Adolf Eichmann in The New Yorker-controversial both for her portrayal of Eichmann and the Jewish councils-introduced her now-famous concept of the "Banality of Evil." Using footage from the actual Eichmann trial and weaving a narrative that spans three countries, von Trotta beautifully turns the often invisible passion of thought into immersive, dramatic cinema.
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